поддержка Pro Tools 11.3.2 - 12.8.1, Logic Pro X 10.2 - 10.3.2, Digital Performer, REAPER, Reason, Cubase, Ableton, Nuendo и др.ĭiGiCo, MultiRack Native, MultiRack SoundGrid, StudioRack Native, StudioRack SoundGrid, eMotion ST Mixer, eMotion LV1 Mixer, Avid VENUEġ (SSL E-Channel) 1 (SSL G-Channel) 0 (SSL G-Equalizer) 3 (SSL G-Master Buss Comp)ġ (SSL E-Channel) 1 (SSL G-Channel) 0 (SSL G-Equalizer) 88.2 kHz: 3 96 kHz: 0 (SSL G-Master Buss Comp)Ĥ (SSL E-Channel) 4 (SSL G-Channel) 3 (SSL G-Equalizer) 3 (SSL G-Master Buss Comp) I am not trying to start a debate, but as someone who constantly switches, there is a difference. Then there is the whole analog summing thing and the difference in imaging and depth that comes form a console as opposed to ITB stuff.
In a big studio, there are no real compromises except the sheer budget it takes to stay there. The advantage that the major studios have is the raw sound quality capabilities and the sheer amount of options that are ALL of excellent quality as opposed to the home recordist who typically has a slew of tools, but only a couple cherished pieces so in many circumstances compromises have to be made. Basically, each different method has its own unique advantages and disadvantages.
Sure you can make some cool stuff on the computer as well, but you would probably always miss using the canvass and the brushes. It also adds an excellent automation set which allows the engineers to create complex mixes with complex automation but still stay in the all so familiar analog realm where you really get to "feel" things. As the de facto popular mixing standard since its introduction in 1977, the SSL 4000 has trained generations of listeners and engineers what a record should sound like.
Something like a big SSL adds beautifully musical sounding EQ's on EVERY channel, and some of the best two buss compresison around. Review: Waves SSL 4000 Plug-in Collection by Alex Oana. EQ is not just EQ just like a car is not just a car, a guitar just a guitar etc.
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